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John Mauceri’s distinguished and extraordinary career has brought him not only to the world’s greatest opera companies and symphony orchestras, but also to the musical stages of Broadway and Hollywood, as well as the most prestigious halls of academia. Regarded as the world’s leading performer of the music of Hollywood’s émigré composers, he has taken the lead in the preservation and performance of many kinds of music and has supervised/conducted premieres by composers as diverse as Debussy, Stockhausen, Korngold, Bernstein, Hindemith, Elfman, Ives, and Shore. As an accomplished recording artist, John Mauceri has over 70 albums to his name, and is the recipient of Grammy, Tony, Olivier, Drama Desk, Edison, Cannes Classique, Billboard, two Diapasons d’Or, two Emmys, and four Deutsche Schallplatten Awards.

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John Mauceri receives 2015 Ditson Conductor’s Award

Posted April 25th, 2016

On April 21, 2016, John Mauceri was granted the 2015 Ditson Conductor’s Award by Columbia University. The Ditson Fund was established at Columbia University in 1940, with a bequest from Alice M. Ditson, the widow of the noted Boston music publisher Oliver Ditson. Mrs. Ditson’s will stipulated that income from the bequest be used for non-academic fellowships, public concerts, and publications in support of music. In 1945 the Ditson Conductor’s Award was established. It is the oldest continuing award honoring conductors for distinguished contributions to American music.

Ditson

Text from the award:

Ditson Conductor’s Award

John Mauceri

In 1940, Columbia University established the Alice M. Ditson Fund to provide grants to support the work of exceptionally talented musicians. Accordingly, the Ditson Conductor’s Award was created in 1945 to encourage public performance of the music of gifted composers. Columbia now proudly adds John Mauceri to the list of the award’s distinguished recipients.

Maestro Mauceri, over a career spanning five decades, you have conducted an extraordinary number of world premieres, first recordings, and overseas performances of an amazing variety of music by emerging and established American composers, both native and naturalized, including John Adams, Mark Blitzstein, John Cage, John Corigliano, David Del Tredici, Duke Ellington, George Gershwin, Adam Guettel, Andrew Imbrie, Paul Hindemith, Charles Ives, Gian-Carlo Menotti and Kurt Weill. For 18 years, Leonard Bernstein chose you to conduct and edit his music, including the world premiere productions of A Quiet Place at both the Kennedy Center and La Scala; the European premiere and tenth anniversary productions of Mass; and all current performingversions of Candide on Broadway, which garnered five Tony awards, at the New York City Opera and for which you won a Grammy, and the version for the Scottish Opera, for which you won an Olivier Award.

You have also become one of the world’s leading authorities on two other forms of quintessentially American music, film scores and the Broadway musical. Through your efforts, film music written by great composers who fled persecution in the World Wars and became American citizens, including Erich Wolfgang Korngold, Miklos Rozsa,Max Steiner and Franz Waxman, as well as American-born film composers like Elmer Bernstein, Danny Elfman, Jerry Goldsmith, Bernard Herrmann and Howard Shore, have been introduced to concert audiences throughout the world. As an educator, you have had a profound effect on thousands of students over many years, from Yale University to your recent tenure as Chancellor of the University of North Carolina School of the Arts, where your productions of works such as Bernstein’s West Side Story, Rodgers and Hammerstein’s Oklahoma!, and Korngold’s Much Ado About Nothing gained national acclaim.

Columbia University therefore recognizes your splendid record of dedication and accomplishment by conferring on you the 2015 Ditson Conductor’s Award.

Miklos Rozsa: Maestro of the Movies

Posted April 24th, 2016

The life and work of Dr. Miklos Rozsa

Much Ado About Nothing!

Posted April 24th, 2016

The American premiere of the full score of Much Ado About Nothing by Erich Wolfgang Korngold. The production features members of the senior class (2014) in Drama, supported by students of the School of Music and designs from the School of Design & Production of the University of North Carolina School of the Arts. Originally broadcast a year ago on UNC-TV, winning a regional Emmy for Best Arts Program of the Year.

Indeed, the musicians had photocopies of the original parts used for the Vienna premiere and were able to use the original bowings and markings in the performance. The original production was of course in German, but the conductor’s score had word cues allowing the production to reconstruct where the music went. In general, the orchestral interludes were played in 1920 with the curtain down to allow for scenery changes, something no longer required in modern theatre. The two-act adaptation seems to be what was performed in 1920 and the new production kept to that format. Internal cuts to Shakespeare’s work were made for the telecast, so that the running time would work for broadcast purposes, but none of Korngold’s music was cut.

YSO 50 – Honoring the 50th Anniversary of the Yale Symphony Orchestra

Posted March 28th, 2016

John is eager to share three recordings from the YSO 50 concert Honoring the 50th Anniversary of the Yale Symphony Orchestra performed February 13, 2016. The concert was held at Yale University’s Woolsey Hall in New Haven, Connecticut.

Bach-Schoenberg: Prelude and Fugue in E-flat (“St. Anne”)

Strauss: Ein Heldenleben

Wagner: Prelude to Die Meistersinger